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Hugo Häring, Espacios Coreográficos del devenir


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Título alternativo: Hugo Häring, Choreographic spaces of becoming
Author: Quesada López, Fernando
Date: 2010
Published in: Proyecto, progreso, arquitectura, 3, 80-93
Document type: Article
Abstract: El espacio puede leerse como el escenario para el despliegue de lo cotidiano o de acciones rituales. La arquitectura puede negociar forma y uso en el espacio desde lo protésico y desde lo coreográfico. Lo protésico opera como una disciplina ergonómi...
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Space can be read as the scene for the unfolding of the day-to-day or of ritual actions. Architecture can negotiate form and use in space from the prosthetic and the choreographed. The prosthetic operates as an ergonomic discipline in which the form depends on previously assigned uses. The choreographed works with and through forms which do not directly respond to any specific use, but which "wait" for the allocation of such use. Both strategies come from the body as data. Starting off from the organic and the prostheses, Hugo Häring developed a very rich theoretical corpus directed to the proposal of choreographic spaces of becoming and connected with the German culture of modernity. Nevertheless, in his own projects, he operated in the prosthetic regime, projecting spaces that work as theatre scripts for the unfold
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