dc.creator | Rojas-Marcos González, Jesús | es |
dc.date.accessioned | 2019-01-29T08:35:19Z | |
dc.date.available | 2019-01-29T08:35:19Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | Rojas-Marcos González, J. (2017). El pintor Rafael Blas Rodríguez: seis imágenes de la Semana Santa de Sevilla. Laboratorio de arte, 29, 717-742. | |
dc.identifier.issn | 1130-5762 | es |
dc.identifier.issn | 2253-8305 | es |
dc.identifier.uri | https://hdl.handle.net/11441/82174 | |
dc.description.abstract | En este artículo ofrecemos aportaciones inéditas a la obra del pintor sevillano Rafael Blas Rodríguez
(1885-1961). Documentamos, historiamos y analizamos seis pinturas conservadas en instituciones
religiosas y colecciones particulares de Sevilla. Todas ellas, firmadas por el autor, representan
esculturas cristíferas y marianas bien conocidas por el público, pues son titulares de cuatro hermandades
de penitencia que procesionan –o procesionaron antes de su desaparición– en la Semana Santa
hispalense. Con ello contribuimos al enriquecimiento del catálogo de tan prolífico artista, que se ve
aumentado con varias pinturas hasta ahora desconocidas. | es |
dc.description.abstract | This paper reveals unpublished works by the Sevillian painter Rafael Blas Rodríguez (1885-
1961). Six paintings are documented, depicted and analyzed. All of them are signed by the author
and preserved in religious institutions and private collections in Seville. These works comprises representations
of sculptures of Jesus Christ and the Virgin Mary, which are well known by the public due
to the use that four Brotherhoods of Penance that go on parade during Holy Week make of them –or
made before disappearance of these–. Thus an enriching contribution is also made to the painting catalogue
of this prolific artist, including several paintings that were unknown to date. | es |
dc.format | application/pdf | es |
dc.language.iso | spa | es |
dc.publisher | Universidad de Sevilla | es |
dc.relation.ispartof | Laboratorio de arte, 29, 717-742. | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Rafael Blas Rodríguez | es |
dc.subject | Virgen de la Victoria | es |
dc.subject | Virgen del Refugio | es |
dc.subject | Cristo de la Salud | es |
dc.subject | Cristo de la Expiración | es |
dc.subject | Virgin of the Victory | es |
dc.subject | Virgin of the Refuge | es |
dc.subject | Christ of the Health | es |
dc.subject | Christ of the Expiry | es |
dc.title | El pintor Rafael Blas Rodríguez: seis imágenes de la Semana Santa de Sevilla | es |
dc.title.alternative | The painter Rafael Blas Rodriguez: six paintings of the holy week in Seville | es |
dc.type | info:eu-repo/semantics/article | es |
dcterms.identifier | https://ror.org/03yxnpp24 | |
dc.type.version | info:eu-repo/semantics/publishedVersion | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.contributor.affiliation | Universidad de Sevilla. Departamento de Historia del Arte | es |
dc.relation.publisherversion | http://dx.doi.org/10.12795/LA.2017.i29.39 | es |
dc.identifier.doi | 10.12795/LA.2017.i29.39 | es |
idus.format.extent | 26 p. | es |
dc.journaltitle | Laboratorio de arte | es |
dc.publication.issue | 29 | es |
dc.publication.initialPage | 717 | es |
dc.publication.endPage | 742 | es |