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dc.creatorBolaño Quintero, Jesúses
dc.date.accessioned2020-02-13T13:20:35Z
dc.date.available2020-02-13T13:20:35Z
dc.date.issued2019-07
dc.identifier.citationBolaño Quintero, J. (2019). Alexander Payne's Nebraska and the return of the grand narratives. Revista Internacional de Culturas y Literaturas, 22, 7-14.
dc.identifier.issn1885-3625es
dc.identifier.urihttps://hdl.handle.net/11441/93027
dc.description.abstractThis article analyses Alexander Payne’s film Nebraska from the perspective of the paradigm shift produced after the much-debated passing of postmodernism, announced by theorists such as Ihab Hassan or Linda Hutcheon. We shall examine how the lack of grand narratives makes it almost impossible to give structured meanings to the concept of reality. Payne’s project can be viewed as both an allegorical and a physical journey that takes the character to no specific destination in his search to make amends with the harsh reality that, ultimately, spells the end of the American Dream.es
dc.formatapplication/pdfes
dc.language.isoenges
dc.publisherUniversidad de Sevillaes
dc.relation.ispartofRevista Internacional de Culturas y Literaturas, 22, 7-14.
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectAlexander Payne; post-postmodern cinema; New Sincerity; transcendentalismes
dc.titleAlexander Payne's Nebraska and the return of the grand narrativeses
dc.typeinfo:eu-repo/semantics/articlees
dc.type.versioninfo:eu-repo/semantics/publishedVersiones
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.relation.publisherversionhttps://revistascientificas.us.es/index.php/CulturasyLiteraturas/article/view/8357/9181es
idus.format.extent8 p.es
dc.journaltitleRevista Internacional de Culturas y Literaturases
dc.publication.issue22es
dc.publication.initialPage7es
dc.publication.endPage14es

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Except where otherwise noted, this item's license is described as: Attribution-NonCommercial-NoDerivatives 4.0 Internacional