dc.creator | Sara Cammarata, Silvia | es |
dc.date.accessioned | 2019-11-20T10:46:13Z | |
dc.date.available | 2019-11-20T10:46:13Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Sara Cammarata, S. (2018). Dalla Bertesca al made in Italy. Una breve panoramica del rapporto tra arte povera e mercato. En Coleccionismo, mecenazgo y mercado artístico: su proyección en Europa y América. II Congreso Internacional (813-828), Sevilla: Universidad de Sevilla, Secretariado de Recursos Audiovisuales y Nuevas Tecnologías. | |
dc.identifier.isbn | 978-84-17337-24-7 | es |
dc.identifier.uri | https://hdl.handle.net/11441/90359 | |
dc.description.abstract | Una storia del rapporto tra l’Arte Povera e il mercato dell’arte è tutta da scrivere. Il
presente contributo intende offrire una panoramica che, con qualche esempio, provi a identificare
alcuni nodi cruciali di questo tema, partendo dalla prima mostra del 1967 alla Bertesca di Genova,
fino alle mostre degli anni Ottanta e Novanta nei grandi musei internazionali d’arte contemporanea. | es |
dc.description.abstract | story about the relationship between Arte Povera and the art market is all to be written. This
paper is intended to provide an overview which, with some examples, tries to identify some of the
crucial concepts of this topic, starting with the first show of 1967 at Bertesca in Genoa, until
exhibitions of the eighties and nineties in the great international museums of contemporary art. | es |
dc.format | application/pdf | es |
dc.language.iso | ita | es |
dc.publisher | Universidad de Sevilla, Secretariado de Recursos Audiovisuales y Nuevas Tecnologías | es |
dc.relation.ispartof | Coleccionismo, mecenazgo y mercado artístico: su proyección en Europa y América. II Congreso Internacional (2018), p 813-828 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Arte povera | es |
dc.subject | arte italiano | es |
dc.subject | Germano Gelant | es |
dc.subject | historia de exposiciones | es |
dc.subject | Incontri Internazionali d’arte | es |
dc.subject | italian art | es |
dc.subject | history of exhibitions | es |
dc.title | Dalla Bertesca al made in Italy. Una breve panoramica del rapporto tra arte povera e mercato | es |
dc.title.alternative | From Bertesca to made in Italy. A short overview of the relationship between arte povera and the art market | es |
dc.type | info:eu-repo/semantics/conferenceObject | es |
dc.type.version | info:eu-repo/semantics/publishedVersion | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
idus.format.extent | 16 p. | es |
dc.publication.initialPage | 813 | es |
dc.publication.endPage | 828 | es |
dc.eventtitle | Coleccionismo, mecenazgo y mercado artístico: su proyección en Europa y América. II Congreso Internacional | es |
dc.eventinstitution | Sevilla | es |
dc.relation.publicationplace | Sevilla | es |