idUS - Browsing Revista de estudios norteamericanos - 1996

Article

A clean writer: an interview with Robert Laxalt

Río, David (Universidad de Sevilla, 1996)

Article

Bones and blood: family ties and the experience of immigration in Anzia Yezierska's “Bread givers” and Fae Myenne Ng's “Bone”

Cacioppo, Marina (Universidad de Sevilla, 1996)

Article

From emotional orphanhood to cultural orphanhood: spiritual death and re-birth in two novels by Toni Morrison

Vega González, Susana (Universidad de Sevilla, 1996)

Article

La gran ciudad estadounidense como transposición e ideal en el cine español de los últimos años (cine negro y comedia urbana)

Pizarroso Quintero, Alejandro (Universidad de Sevilla, 1996)

Article

Necessary illusions in Kate Chopin's "Athénaïse"

Candel Bormann, Daniel (Universidad de Sevilla, 1996)

Article

Sea-anemones and rocks: Edith Wharton's "The House of Mirth" in the context of American Naturalism

Espejo Romero, Ramón (1997)

Article

“Taking-no-shit?:” Black women's ghetto in Gloria Naylor's "The women of brewster place (1982)", and in Ntozake "Shange's for colored girls who have considered suicide when the rainbow is enuf (1977)"

Frías, María (Universidad de Sevilla, 1996)

Article

Towards a canon of Henry James's writer-hero tales

Álvarez Amorós, José Antonio (Universidad de Sevilla, 1996)

Article

Towards a poetics of self -representation: Anne Bradstreet, Emily Dickinson and Sylvia Plath

Oliver, María Antonia; Trenchs, Mireia (Universidad de Sevilla, 1996)

Article

Visions of a homeland in two recent Chinese American short story cycles: Andrea Louie's “Moon cakes” and Wang Ping's “American Visa”

Davis, Rocío G. (Universidad de Sevilla, 1996)

Article

Windmills in Brooklyn: a story of the Spanish immigrants in New York

González López-Briones, Carmen (Universidad de Sevilla, 1996)

Browsing Revista de estudios norteamericanos - 1996 - Nº 5 by Title

A clean writer: an interview with Robert Laxalt ﻿

Bones and blood: family ties and the experience of immigration in Anzia Yezierska's “Bread givers” and Fae Myenne Ng's “Bone” ﻿

From emotional orphanhood to cultural orphanhood: spiritual death and re-birth in two novels by Toni Morrison ﻿

La gran ciudad estadounidense como transposición e ideal en el cine español de los últimos años (cine negro y comedia urbana) ﻿

Necessary illusions in Kate Chopin's "Athénaïse" ﻿

Sea-anemones and rocks: Edith Wharton's "The House of Mirth" in the context of American Naturalism ﻿

“Taking-no-shit?:” Black women's ghetto in Gloria Naylor's "The women of brewster place (1982)", and in Ntozake "Shange's for colored girls who have considered suicide when the rainbow is enuf (1977)" ﻿

Towards a canon of Henry James's writer-hero tales ﻿

Towards a poetics of self -representation: Anne Bradstreet, Emily Dickinson and Sylvia Plath ﻿

Visions of a homeland in two recent Chinese American short story cycles: Andrea Louie's “Moon cakes” and Wang Ping's “American Visa” ﻿

Windmills in Brooklyn: a story of the Spanish immigrants in New York ﻿

A clean writer: an interview with Robert Laxalt

Bones and blood: family ties and the experience of immigration in Anzia Yezierska's “Bread givers” and Fae Myenne Ng's “Bone”

From emotional orphanhood to cultural orphanhood: spiritual death and re-birth in two novels by Toni Morrison

La gran ciudad estadounidense como transposición e ideal en el cine español de los últimos años (cine negro y comedia urbana)

Necessary illusions in Kate Chopin's "Athénaïse"

Sea-anemones and rocks: Edith Wharton's "The House of Mirth" in the context of American Naturalism

“Taking-no-shit?:” Black women's ghetto in Gloria Naylor's "The women of brewster place (1982)", and in Ntozake "Shange's for colored girls who have considered suicide when the rainbow is enuf (1977)"

Towards a canon of Henry James's writer-hero tales

Towards a poetics of self -representation: Anne Bradstreet, Emily Dickinson and Sylvia Plath

Visions of a homeland in two recent Chinese American short story cycles: Andrea Louie's “Moon cakes” and Wang Ping's “American Visa”

Windmills in Brooklyn: a story of the Spanish immigrants in New York