dc.creator | Pikrakis, A. | es |
dc.creator | Gómez, F. | es |
dc.creator | Oramas, S. | es |
dc.creator | Díaz Báñez, José Miguel | es |
dc.creator | Mora Roche, Joaquín | es |
dc.creator | Escobar Borrego, Francisco Javier | es |
dc.creator | Gómez, E. | es |
dc.creator | Salamon, J. | es |
dc.date.accessioned | 2022-12-16T11:22:43Z | |
dc.date.available | 2022-12-16T11:22:43Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Pikrakis, A., Gómez, F., Oramas, S., Díaz Bañez, J.M., Mora Roche, J., Escobar Borrego, F.J.,...,Salamon, J. (2012). Tracking melodic patterns in flamenco singing by analyzing polyphonic music recordings. En Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR 2012), Oporto, Portugal. | |
dc.identifier.isbn | 9789727521449 | es |
dc.identifier.uri | https://hdl.handle.net/11441/140569 | |
dc.description.abstract | The purpose of this paper is to present an algorithmic pipeline for melodic pattern detection in audio files. Our
method follows a two-stage approach: first, vocal pitch sequences are extracted from the audio recordings by means
of a predominant fundamental frequency estimation technique; second, instances of the patterns are detected directly in the pitch sequences by means of a dynamic programming algorithm which is robust to pitch estimation
errors. In order to test the proposed method, an analysis
of characteristic melodic patterns in the context of the flamenco fandango style was performed. To this end, a number of such patterns were defined in symbolic format by
flamenco experts and were later detected in music corpora,
which were composed of un-segmented audio recordings
taken from two fandango styles, namely Valverde fandangos and Huelva capital fandangos. These two styles are
representative of the fandango tradition and also differ with
respect to their musical characteristics. Finally, the strategy in the evaluation of the algorithm performance was
discussed by flamenco experts and their conclusions are
presented in this paper. | es |
dc.description.sponsorship | Junta de Andalucía COFLA project P09-TIC-4840 | es |
dc.format | application/pdf | es |
dc.format.extent | 6 p. | es |
dc.language.iso | eng | es |
dc.relation.ispartof | Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR 2012) (2012), pp. 421-426. | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Tracking melodic patterns in flamenco singing by analyzing polyphonic music recordings | es |
dc.type | info:eu-repo/semantics/conferenceObject | es |
dcterms.identifier | https://ror.org/03yxnpp24 | |
dc.type.version | info:eu-repo/semantics/publishedVersion | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.contributor.affiliation | Universidad de Sevilla. Departamento de Literatura Española e Hispanoamericana | es |
dc.contributor.affiliation | Universidad de Sevilla. Departamento de Matemática Aplicada II (ETSI) | es |
dc.relation.projectID | P09-TIC-4840 | es |
dc.relation.publisherversion | http://mtg.upf.edu/system/files/publications/Pattern-Flamenco-ISMIR2012.pdf | es |
dc.publication.initialPage | 421 | es |
dc.publication.endPage | 426 | es |
dc.eventtitle | Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR 2012) | es |
dc.eventinstitution | Oporto, Portugal | es |
dc.contributor.funder | Junta de Andalucía | es |