Ponencia
Comparative Melodic Analysis of A Cappella Flamenco Cantes
Autor/es | Cabrera, Juan J.
Díaz Báñez, José Miguel ![]() ![]() ![]() ![]() ![]() ![]() ![]() Escobar Borrego, Francisco Javier ![]() ![]() ![]() ![]() ![]() ![]() ![]() Gómez, Emilia Gómez, Francisco Mora, Joaquín |
Departamento | Universidad de Sevilla. Departamento de Matemática Aplicada II (ETSI) Universidad de Sevilla. Departamento de Literatura Española e Hispanoamericana |
Fecha de publicación | 2008 |
Fecha de depósito | 2022-11-17 |
Publicado en |
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ISBN/ISSN | 84-8181-227-7 |
Resumen | Background in ethnomusicology and music analysis. A cappella singing styles (called cantes in the flamenco jargon) are among the most fundamental song styles within the flamenco repertoire. Until very recently, flamenco ... Background in ethnomusicology and music analysis. A cappella singing styles (called cantes in the flamenco jargon) are among the most fundamental song styles within the flamenco repertoire. Until very recently, flamenco singers have been only using oral transmission to learn them. Because of this form of diffusion, melody has become one of the main musical facets to be listened to, remembered, elaborated and spread in flamenco singing styles. Moreover, melody has helped flamenco enthusiasts to remember and identify variants of a particular style or genre. A frequent discussion and unanswered question among flamenco scholars is how to quantify the similarity between two melodies, and how to use this similarity measure to differentiate different styles and variants among performers, and to study the roots and evolution of flamenco styles. |
Agencias financiadoras | Agencia Andaluza para el Desarrollo del Flamenco |
Cita | Cabrera, J.J., Díaz Báñez, J.M., Escobar Borrego, F.J., Gómez, E., Gómez, F. y Mora, J. (2008). Comparative Melodic Analysis of A Cappella Flamenco Cantes. En CIM08: Fourth Conference on Interdisciplinary Musicology Thessaloniki, Greece: Conference on Interdisciplinary Musicology. |
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