Article
Valdés Leal, pintor de la Santa Infancia. A propósito de un Buen Pastor inédito
Alternative title | Valdés Leal, the Holy Childhood's painter. On purpose of a unpublished Good Shepherd |
Author/s | Valdivieso González, Enrique |
Department | Universidad de Sevilla. Departamento de Historia del Arte |
Publication Date | 2009 |
Deposit Date | 2021-05-04 |
Published in |
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Abstract | Superada la definición de Valdés Leal como entusiasta de la fealdad y lo horrible, generada por una leyenda negra que soportaba el pintor, y revisada recientemente su visión de la belleza y de la elegancia, muy patente en ... Superada la definición de Valdés Leal como entusiasta de la fealdad y lo horrible, generada por una leyenda negra que soportaba el pintor, y revisada recientemente su visión de la belleza y de la elegancia, muy patente en numerosas obras de temática femenina, resulta muy oportuno comparar su estética de lo hermoso o lo tierno con la generada por Murillo. Para ello se aportan noticias sobre pinturas de Valdés con el tema del Buen Pastor y se da a conocer la que se considera su versión original. Overcome the definition of Valdes Leal as enthusiasticof the horrible thing and ugliness, spawned by a black legend that withstoodthe painter, and revised his vision of beauty and elegance recently, very evident in many ... Overcome the definition of Valdes Leal as enthusiasticof the horrible thing and ugliness, spawned by a black legend that withstoodthe painter, and revised his vision of beauty and elegance recently, very evident in many works of female thematic, is timely to compare his aesthetics of beautyor cute with that onegenerated by Murillo. For it, are provided news about Valdes paintings with the topic of the Good Shepherd and it is disclosed what is considered the original version. |
Citation | Valdivieso González, E. (2009). Valdés Leal, pintor de la Santa Infancia. A propósito de un Buen Pastor inédito. BSAA Arte, 75, 197-202. |
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