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dc.creatorPérez-Gómez, Miguel Ángeles
dc.date.accessioned2021-01-26T09:07:14Z
dc.date.available2021-01-26T09:07:14Z
dc.date.issued2012
dc.identifier.citationPérez-Gómez, M.Á. (2012). Yonkis de la viñeta. LaRaña de Sevilla, 3, 54-66.
dc.identifier.issne 2254-0792es
dc.identifier.urihttps://hdl.handle.net/11441/104216
dc.description.abstractThis article attempts to make an approach to Makoki’s phenomenon and to explain the importance of this character to the Spanish underground culture. Through an historical perspective, it is shown the evolution of both the Spanish comic book industry as well as the changes in the taste of readers. Both Makoki’s character and publication allow us to see the evolution from the underground culture born in response to social and moral restrictions of a totalitarian regime, to the concept of “alternative comic” in the nineties.es
dc.formatapplication/pdfes
dc.format.extent12 p.es
dc.language.isospaes
dc.publisherGrupo de Investigación “Escritoras y escrituras“ (Universidad de Sevilla), BITIJI y Revista LaRAÑAes
dc.relation.ispartofLaRaña de Sevilla, 3, 54-66.
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMakokies
dc.subjectCultura underground españolaes
dc.subjectCómic alternativoes
dc.titleYonkis de la viñetaes
dc.title.alternativeEl camino del underground al post-underground a través de Makokies
dc.typeinfo:eu-repo/semantics/articlees
dcterms.identifierhttps://ror.org/03yxnpp24
dc.type.versioninfo:eu-repo/semantics/publishedVersiones
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.contributor.affiliationUniversidad de Sevilla. Departamento de Comunicación Audiovisual, Publicidad y Literaturaes
dc.contributor.groupUniversidad de Sevilla. HUM753: Escritoras y Escriturases
dc.journaltitleLaRaña de Sevillaes
dc.publication.issue3es
dc.publication.initialPage54es
dc.publication.endPage66es

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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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