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Sarah E. Farro’s True Love(1891):Plagiarist Reconfigurations of Ellen Wood’s The Shadow of Ashlydyat (1863)
(Universidad de Sevilla, 2022)
In 1891 Sarah E. Farro was hailed as “the first negro novelist” with the publication of her novel True Love, a story featuring white English characters set in England. Scholars have believed that Farro’s ...
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Women but not sisters: Harriet A. Jacobs’s angered literary reply to Harriet B. Stowe
(Universidad de Sevilla, 1998)
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Review: Dixie matters: new perspectives on southern femininities and masculinities. Ed. U. Niewiadomska-Flis
(Universidad de Sevilla, 2014)
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Anna Cora Mowatt's “fashion”: theatrical refashioning of the female self in antebellum American drama
(Universidad de Sevilla, 2000)
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The day of doom and the memory of slavery: Octavia E. Butler’s prophetic vision in “Parable of the sower”
(Universidad de Sevilla, 2004)
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The promise of success: postwar white southem fictional approach to urban America
(Universidad de Sevilla, 1995)
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Louisa S. Mccord’s Caius Gracchus: A Transatlantic Southern Literary Response to 1848 European Revolutions
(Universidad de Sevilla, 2016)
Louisa S. McCord is the most important female intellectual in the antebellum South and one of its most recognized voices, even if her name rarely appears in studies not directly related to her region. McCord has a parallel, ...
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“Strange true stories of Louisiana” (1889) de George Washington Cable: ocultación literaria de la obsesión crítica
(Universidad de Sevilla, 2000)
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Susan Glaspell's "Trifles" (1916): women's conspiracy of silence beyond the melodrama of beset womanhood
(Universidad de Sevilla, 2000)