dc.creator | Prieto Pablos, Juan Antonio | es |
dc.date.accessioned | 2017-08-02T07:15:40Z | |
dc.date.available | 2017-08-02T07:15:40Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Prieto Pablos, J.A. (2012). Women in breeches and modes of masculinity in Restoration comedy. SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 22, 69-91. | |
dc.identifier.issn | 1135-7789 | es |
dc.identifier.uri | http://hdl.handle.net/11441/63475 | |
dc.description.abstract | The dramatic tradition that featured female characters dressed in
men’s costume was revived after the theatres reopened in the
Restoration, with the difference that this time these roles were
played by actresses. It has been argued that the contemplation of
the female body reinforced the erotization of the actresses for the
sake of predominantly male audiences. Their performances in
“breeches roles” have also been interpreted as evidence of a
progressive acknowledgement of the social possibilities of female
agency. My own contention is that these roles did not only raise
female agency to a level equal – if not superior, occasionally – to
male agency, they also served to disrupt certain fashionable
notions on the nature of masculinity, and therefore illustrate a
trend that promoted new gender modes. To argue this thesis, I
will focus on three comedies that represent as many stages in the
development of this trend: the anonymous The Woman Turned
Bully (1675), Thomas Shadwell’s The Woman Captain (1680), and
Thomas Southerne’s Sir Anthony Love (1691), all of them featuring
women wearing breeches and upsetting male order, with both
comic and serious consequences | es |
dc.format | application/pdf | es |
dc.language.iso | eng | es |
dc.publisher | Sociedad Hispano-Portuguesa de Estudios Renacentistas Ingleses | es |
dc.relation.ispartof | SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 22, 69-91. | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Restoration comedy | es |
dc.subject | gender identity | es |
dc.subject | masculinity | es |
dc.subject | breeches roles | es |
dc.title | Women in breeches and modes of masculinity in Restoration comedy | es |
dc.type | info:eu-repo/semantics/article | es |
dcterms.identifier | https://ror.org/03yxnpp24 | |
dc.type.version | info:eu-repo/semantics/publishedVersion | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.contributor.affiliation | Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana) | es |
dc.relation.publisherversion | http://www.sederi.org/yearbook/sederi-22/ | es |
idus.format.extent | 23 p. | es |
dc.journaltitle | SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies | es |
dc.publication.issue | 22 | es |
dc.publication.initialPage | 69 | es |
dc.publication.endPage | 91 | es |
dc.identifier.sisius | 20426406 | es |