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dc.creatorPérez Rodríguez, José Luises
dc.creatorRobador González, María Doloreses
dc.creatorLarrea, Garbiñees
dc.creatorDurán Benito, Adriánes
dc.date.accessioned2024-03-06T11:59:46Z
dc.date.available2024-03-06T11:59:46Z
dc.date.issued2024-02-23
dc.identifier.citationPérez Rodríguez, J.L., Robador González, M.D., Larrea, G. y Durán Benito, A. (2024). Revealing Juan de Oviedo y de la Bandera’s artworks: the case of the polychrome of a stone-carved sculpture from the Madre de Dios Convent Façade in Seville. Minerals, 14(3) (225). https://doi.org/10.3390/min14030225.
dc.identifier.issn2075-163Xes
dc.identifier.urihttps://hdl.handle.net/11441/155883
dc.description.abstractThe entrance of the Madre de Dios convent in Seville was carved in stone by Juan de Oviedo y de la Bandera, an important sculptor who made great artistic productions, highlighting his carvings in wood and stone. Several studies have been carried out on the carvings in wood, but no interest has been paid by experts to the carving pieces in stone. In this work, this polychrome made on stone around 1590 was studied for the first time. Micro-samples were taken and studied using micro-analytical techniques (optical microscopy, SEM-EDX, colourimetry, XRD, FTIR, and Raman spectroscopy). The pigments (smalt, atacamite, malachite, copper resinate, cinnabar, red earth, yellow ochre, carbon, and bone black) and the consolidation product (acrylic resin, very possibly Paraloid B72) were characterized. The experimental study indicated that the polychrome was applied on a layer of white lead (cerussite and hydrocerussite) that was laid on the substrate stone, constituted by calcarenite. This study also includes a comprehensive discussion on the use of these materials and techniques in other artworks within Seville’s cultural heritage.es
dc.formatapplication/pdfes
dc.format.extent17 p.es
dc.language.isoenges
dc.publisherMDPIes
dc.relation.ispartofMinerals, 14(3) (225).
dc.rightsAtribución 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectPigmentses
dc.subjectStonees
dc.subjectSculpturees
dc.subjectMineralogyes
dc.subjectSevillian artworkses
dc.titleRevealing Juan de Oviedo y de la Bandera’s artworks: the case of the polychrome of a stone-carved sculpture from the Madre de Dios Convent Façade in Sevillees
dc.typeinfo:eu-repo/semantics/articlees
dc.type.versioninfo:eu-repo/semantics/publishedVersiones
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.contributor.affiliationUniversidad de Sevilla. Departamento de Construcciones Arquitectónicas II (ETSIE)es
dc.relation.projectIDMCIN/AEI/10.13039/501100011033es
dc.relation.projectIDPID 2020-115786 GB-100es
dc.relation.publisherversionhttps://www.mdpi.com/2075-163X/14/3/225es
dc.identifier.doi10.3390/min14030225es
dc.contributor.groupUniversidad de Sevilla. TEP172: Arquitectura: Diseño y Técnicaes
dc.journaltitleMineralses
dc.publication.volumen14(3)es
dc.publication.issue225es

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