Arquitectura
URI permanente para esta comunidadhttps://hdl.handle.net/11441/33251
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Examinando Arquitectura por Materia "abstraction"
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Ponencia Carlo Scarpa: abstraction as an argument of yhe sublime, Research strategy(Universidad de Sevilla, 2017) Ros Campos, Andrés; Tejedor Cabrera, Antonio; Molina Huelva, MartaFrom the visit to the work of Carlo Scarpa fascinates the ability of the architect to maintain the visual balance in spite of the profusion of details in his architecture. The spaces generated, maintain a sense of modernity, tolerating the wealth of solutions and nuances, which seemed to break the aseptic proposals of the architectural vanguard of the first half of the XX century. Contrary to what might seem, by the abundance of elements, in his work underlies a deep respect for modernity and artistic avant-garde, without impediment to reinterpret the modern legacy in an absolutely personal, original and unique way. The research of this thesis was, therefore, focused on the mechanism of abstraction, applied to the creative methodology of architecture and extended to art and design. This intervention in the congress aims to explain the research strategy, its needs and its information and interpretation sources, as well as to claim the importance of collaboration between the archives that safeguard the proposals of the architecture of the XX century and researchers in the academic scope. In this process, it is discovered how the result of the architecture of Scarpa is based on his own methodology for designing, based on a peculiar way of drawing and approaching the creative process.Ponencia Contemporary architecture and its integration with patrimonial architecture(Universidad de Sevilla, 2017) Martínez Gómez, Josué Nathan; Tejedor Cabrera, Antonio; Molina Huelva, MartaOne of the most complex interventions in architecture is when buildings with important patrimonial value are actualized. Not only for the technical construction, but for the ethical position of the author and the new aesthetic value that will acquire that work as part of a historic city. Achieving a balance so that contemporary architecture is not submitted to patrimonial, nor patrimonial is diminished in front of a contemporary intervention requires a balanced dialogue between both interventions that contribute in their opposite times. The hypothesis considers that every building whose author has a theoretical support based on Ethics, Memory and Phenomenology, is consistent with its historical context and ensures its presence in the culture of the place. Also Time, Abstraction, Vanguards, Subject, Aesthetics, Criticism, Synthesis and Historical Multiplicity are some of the topics to study their relationship. And constitute a framework of knowledge to formulate a theory that addresses the integration of contemporary intervention in a historical context. There are two objectives proposed in this study: on the one hand, it is important to have a theoretical basis in heritage interventions and, on the other hand, to propose a methodology that can be repeated in other case studies to make an architectural critique and to evaluate if the intervention is according to the historical context. The case study that will allow me to explain both the ethical stance of an architect and his constructed work is the Kolumba Museum by Peter Zumthor. For that reason, it will deepend as much in its written ideas as in its museum, besides other theoretical reflections.