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Shakespearean Strategies of (Dis)Orientation in "Othello", act I
(Sociedad Hispano-Portuguesa de Estudios Renacentistas Ingleses, 1997)
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From Africa to America: Precarious Belongings in NoViolet Bulawayo’s We Need New Names
(2018)
This article analyzes NoViolet Bulawayo’s critically acclaimed debut novel We Need New Names (2013), bringing to the fore the legacies of colonialism and the subsequent diaspora to the West. Like the work of other contemporary ...
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The casting of Sancho in Durfey's "The Comical History of Don Quixote, Parts I-II" (1694)
(SEDERI ; Universidad de Huelva, 2015)
Thomas Durfey's The Comical History of Don Quixote, Part I and Part II were produced by the United Company in May/June, 1694. As was customary practice, the central characters were taken by the same actors in both plays. ...
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Absent value and postmodernism
(Universidad de Sevilla, 1999)
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Performative Subjecthoods: Lesbian Representationsin Split Britches’Belle Reprieve
(Universidad de Sevilla, 2021)
Emerging postmodern theories of gender and sexuality frame the terms in which society has understood these concepts in an evolutionary way throughout history.The last century has witnessed the ...
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Trauma, Ethics, and the Body at War in Brittain, Borden and Bagnold
(Purdue University Press, 2019-03)
In her article “Trauma, Ethics, and the Body at War in Brittain, Borden and Bagnold,” Carolina Sánchez-Palencia Carazo discusses how the autobiographical accounts of the conflict by Vera Brittain, Enid Bagnold and Mary ...