Repositorio de producción científica de la Universidad de Sevilla

The art-space of a global community: the network of Baroque paintings in Hispanic-America

 

Advanced Search
 
Opened Access The art-space of a global community: the network of Baroque paintings in Hispanic-America
Cites

Show item statistics
Icon
Export to
Author: Suárez, Juan Luis
Sancho Caparrini, Fernando
Rosa Pérez, Javier de la
Department: Universidad de Sevilla. Departamento de Ciencias de la Computación e Inteligencia Artificial
Date: 2011
Published in: Culture and Computing 2011: Second International Conference on Culture and Computing (2011), p 45-50
ISBN/ISSN: 978-1-4577-1593-8
Document type: Presentation
Abstract: This paper presents the results of a multidisciplinary collaboration in Digital Humanities that focuses on the multi-scale analysis of the network of Baroque paintings in the territories of the Hispanic Monarchy from the 16th through the 18th centuries. We apply graph analysis and visualizations as well as natural language analysis over a database of over 11,000 artworks in order to address three types of questions related, respectively, to the formation and sustainability of large cultures, the semantic content of the network we analyze, and the role of art as an institution that contributes to sustain large-scale societies. The results also help to design a methodology that can be exported to other projects in Digital Humanities.
Cite: Suárez, J.L., Sancho Caparrini, F. y Rosa Pérez, J.d.l. (2011). The art-space of a global community: the network of Baroque paintings in Hispanic-America. En Culture and Computing 2011: Second International Conference on Culture and Computing (45-50), Kyoto, Japan: IEEE Computer Society.
Size: 624.9Kb
Format: PDF

URI: https://hdl.handle.net/11441/86099

DOI: 10.1109/Culture-Computing.2011.17

See editor´s version

This work is under a Creative Commons License: 
Attribution-NonCommercial-NoDerivatives 4.0 Internacional

This item appears in the following Collection(s)