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Reconciling image and ideology in british surrealist writing of the 1930s

Opened Access Reconciling image and ideology in british surrealist writing of the 1930s
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Autor: López Gándara, María Dolores
Director: Crews, Brian
Departamento: Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Fecha: 2013-06-10
Tipo de documento: Tesis Doctoral
Resumen: This study offers a critical analysis of the complex relationship between image and ideology, that is, between aesthetic form and ideological significance, in British Surrealist Writing of the 1930s, an often neglected area in literary studies and in the profuse criticism that exists on Modernist and thirties literature in Britain. It recovers texts never republished since the 1930s, as well as unpublished texts and other archive material, in order to analyse the different Surrealist techniques deployed by the core group of British writers associated with the Surrealist movement to reconcile image and ideology in their texts. These are writers who, although they are virtually unknown today, played a central role in the development of Avant-Garde poetic experimentation and political activism in 1930s Britain: Hugh Sykes Davies, David Gascoyne, George Barker, Roland Penrose, Roger Roughton, Humphrey Jennings and Charles Madge were part of a movement whose principles and aims were the li...
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Cita: López Gándara, M.D. (2013). Reconciling image and ideology in british surrealist writing of the 1930s. (Tesis Doctoral Inédita). Universidad de Sevilla, Sevilla.
Tamaño: 3.267Mb
Formato: PDF

URI: https://hdl.handle.net/11441/74217

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