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Mujeres de cine: del glamour de Hollywood a los modelos alternativos

 

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Título alternativo: Film women: from Hollywood’s glamour to alternative models.
Author: Caballero Wangüemert, María del Milagro
Department: Universidad de Sevilla. Departamento de Literatura Española e Hispanoamericana
Date: 2016
Published in: Arbor: Ciencia, Pensamiento y Cultura, 192 (778), a306.
Document type: Article
Abstract: Es un hecho que el cine ha reflejado la revolución de mujer, familia y sociedad en el siglo XX. El cine nace en masculino: es el hombre quien desempeña las funciones públicas mientras la mujer reina en el ámbito privado, educando desde el hogar a lo...
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Cinema has reflected the great changes that women, family and society have undergone in the twentieth century. Film was born male, but throughout the twentieth century, woman has gone from being an object of desire, the star of the love story in Hollywood comedies, to commanding the adventure of cinema as a screenwriter (E. Thompson, RP Jhavbala ), producer (B. Streisand, I. Bollaín) and, especially, director: Streisand, M. von Trotta, S. Coppola, A. Huston among others, but also M. Nair, D. Mehta, I. Bollaín, I. Coixet, G. Querejeta, K. Bigelow, L. Schefig, S. Bier, N. Labaki, M. Ruiz de Austri. This paper assumes the validity of this diachrony, in order to consider one question: What kind of family models and what kind of women’s models does the big screen provide us with, beyond the old dichotomy of angel/ whore?
Cite: Caballero Wangüemert, M. (2016). Mujeres de cine: del glamour de Hollywood a los modelos alternativos.. Arbor: Ciencia, Pensamiento y Cultura., 192 (778), a306-a306.
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Format: PDF

URI: http://hdl.handle.net/11441/49709

DOI: 10.3989/arbor.2016.778n2009

This work is under a Creative Commons License: 
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