Artículos (Filología Inglesa (Literatura Inglesa y Norteamericana))

URI permanente para esta colecciónhttps://hdl.handle.net/11441/10728

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4.48 Psychosis: Sarah Kane's "bewildered fragments"
(Universitat de Barcelona, Departament de Filologia Anglesa i Alemanya, 2006) Sánchez-Palencia Carazo, Carolina; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
A contested west: new readings of place in the American West. Eds. Martin Simonson, David Río, and Amaia Ibarraran [Reseña]
(Universidad de Sevilla, 2013) Guijarro González, Juan Ignacio; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
A Queen in a “Purple Robe”: Henry Constable’s Poetic Tribute to Mary, Queen of Scots
(The University of North Carolina Press, 2016) Pérez Jáuregui, María Jesús; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana); Universidad de Sevilla. HUM322: Estudios Medievales y Renacentistas Ingleses
The religious sonnets that the Elizabethan poet and courtier Henry Constable wrote in exile, which reveal strong post-Tridentine and continental influences, have been edited and assessed as they survive in a manuscript in the British Library (Harley MS 7553), thought to be the only witness. The rediscovery of another manuscript containing the Spiritual Sonnets, held at Berkeley Castle in Gloucestershire, throws light on the hitherto obscure history of their production and reception. It also adds four new sonnets to the canon of Constable’s poetry, three of which are addressed to Mary, Queen of Scots. This article looks at the rediscovered sonnets as pieces that fit in a larger martyrological narrative constructed around the figure of the executed queen; in addition, it brings to the fore Constable’s personal anxieties as an exiled Englishman who hoped to return home under the rule of a more tolerant king.
Absent value and postmodernism
(Universidad de Sevilla, 1999) Crews, Brian; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura inglesa y Norteamericana)
" All the Birds of Paradise ": mito y género en Mrs Dalloway
(Universidad de Murcia, 1997) Sánchez-Palencia Carazo, Carolina; Almagro Jiménez, Manuel; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Tradicionalmente, la utilización del método mítico, en contraposición al método narrativo, se ha visto como fórmula de ordenación del carácter caótico que para el escritor tiene la historia contemporánea. Pero, además, este mismo método es en ocasiones usado como molde para la construcción de representaciones de género, lo cual lo convierte en un recurso nada desdeñable dada la frecuencia con la que una sexualidad pluriforme aparece representada en la literatura modernista. Una muestra será lo que hace el propio Elior a través de la figura de Tiresias o Virginia Woov en Orlando. Un caso menos conocido es el de Mrs Dalloway, donde Woov utiliza el paradigma mítico del ave Fénix para enmarcar su personal concepción del género y articular una visión menos rígida de la identidad sexual.
Allegorizing and Moralizing Zoology in Aldhelm's Enigmata
(Universidad de La Laguna, 2014) Salvador Bello, Mercedes; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
The collection of riddles composed by Aldhelm constitutes an important source of traditional zoological lore. This paper intends to look at a selection of these Enigmata in order to provide an insight into the ways zoology was grasped by this author and his medieval audience. The analysis will show that these riddles transcend the limits of simple zoological description, since they establish subtle allegorical layers of meaning that were surely perceived and much appreciated by readers. From Aldhelm’s perspective, animals could illustrate positive or negative examples of conduct for human beings, thus opening a wide range of possibilities for moral instruction. This paper therefore intends to focus on the engaging allegorical components of some of Aldhelm’s zoological riddles.
An Approach to the Emblematic Tradition in 17th Century Anti-Catholic Pamphlets
(Sociedad Hispano-Portuguesa de Estudios Renacentistas Ingleses, 2002) Álvarez Recio, Leticia; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
"An interview with Sarah Schulman"
(2008) Toda Iglesia, María de los Ángeles; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
An interview with Sarah Schulman, the New York writer and activist for lesbian and gay liberation, held during the II Congress on Gay and Lesbian Culture held in 2006 at the University of Seville and updated via email. Schulman is the author of nine novels chronicling lesbian and gay life in New York over several decades, which have achieved a cult status among lesbian readers well beyond the limits of the US, several plays staged both in avant-garde and uptown venues, and four nonfiction books on different aspects of American culture, and has been awarded among other distinctions the 2009 Kessler Award for her contribution to the field of Gay and Lesbian Studies.
Anne Klinck. The old English elegies: a critical edition and genre study
(1993) Mora, María José
Anthony Munday’s Palmendos (1589) in the Early Modern English Book Trade: Print and Reception
(Asociación Española de Estudios Anglo-Norteamericanos (AEDEAN), 2016) Álvarez Recio, Leticia; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Anti-Catholicism, civic consciousness and parliamentarianism: Thomas Scott’s "Vox Regis" (1624)
(2013) Álvarez Recio, Leticia; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
The Anglo-Spanish negotiations for a dynastic alliance which began in 1614 had never been popular among a large section of English Protestants, who felt that their monarch should demonstrate a more active commitment to European Calvinism. Such prejudices increased after 1618 when the Bohemian crisis began and James did not support the Elector Palatine against the Habsburg Empire. The anti-Catholic mood reached its peak in October 1623, when the Prince of Wales arrived in London after his failed journey to Madrid. Many Londoners viewed his return as a victory over Spain and demanded a shift in Anglo-Spanish relations. This article considers the political tract Vox Regis (1624), written by Thomas Scott, one of the most prolific anti-Catholic pamphleteers at the time. In this work Scott develops many of the arguments proposed in Parliament in order to persuade James to change his religious and foreign policy. His anti-Catholic attacks vehicle debates on the role of citizens in the Commonwealth and more participatory types of government, in opposition to the crown’s appeal to the raison d’état and the doctrine of the divine right of kings. Thus, Scott relates anti-popery to civic consciousness, linking his discourse to the humanist tradition and anticipating some of the ideological discussions prevalent in England during and after the civil war.
Anti-style and the postmodernist novel
(Universidad de Alicante, 1996) Crews, Brian; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
A consideration of attitudes towards style in contemporary narrativos leads to the conclusión that decorum and convention are often deliberately marked in order to draw attention to tbeir artificiality. In particular, in what are somctimes called postmodernist novéis, a critical stance is often adopted towards adequate or appropriate styles, so that anti-style, or a delibérate break with decorum or uniformity, highlights the fictitious nature of what is narrated. In the novéis of B.S. Johnson, a combination of styles and deviations from them show that there is no such thing as an authoritative narrative, not even the author's, and, while the conventional nature of language, style and narrative is foregrounded, it is implied that there is always some alternative to the inevitable fabrications and distortions that they involve
The apocalyptic urban landscape in Paul Auster's "In the countryof last things"
(1995) Lerate de Castro, Jesús Antonio; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Aproximaciones a una nueva retórica: estrategias persuasivas en los sonetos 1 a 17 de Shakespeare
(1996) Gómez Calderón, María José; Galve, Lucía; Prieto Pablos, Juan Antonio
The Arrival of the Hero in a Ship: A Common Leitmotif in OE Regnal Tables and the Story of Scyld Scefing in Beowulf
(1998) Salvador Bello, Mercedes
Arthur Miller’s Global Theater. Ed. by Enoch Brater [Reseña]
(Universidad de Sevilla, 2011) Espejo Romero, Ramón; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Audience deception and farce in John Lacy’s Sir Hercules Bufoon
(2005) Prieto Pablos, Juan Antonio
El auto-exilio como estrategia de adecuación al medio: el caso de May Welland en "The age of innocence", de Edith Wharton
(Universidad de Alcalá, 2000) Espejo Romero, Ramón; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Edith Wharton's The Age oflrmocence (1920) presents two different types of exile, enacted in the female characters of Ellen Olenska and May Welland. The former's is a literal exile, enforced on her by the rigidity of social norms and her own yeaming for freedom. She is a representative of proto-feminism and with slight diñerences can be met on a number of literaiy works from the epoch. May Welland is, due to her singularity, a much more complex and challenging character. Hers is a voluntary self-exile stemming from a need to survive in a tremendously exacting environment and leading her to deny herself and strive to become what others expect her to be. Edith Wharton's technique in the depiction of May Welland is far from explicit and the true nature of the character remains considerably hidden throughout the novel. This work tries to evidence that most critical readings -not to mention those of general readersof May Welland have been simplistic, distorted and too determined by Newland Archer's view of her. Wharton's character should however prompt a reflection on the harshness of an environment in which some women could not añbrd being themselves
Be there (on time) or be square: times square en the public burning de Robert Coover
(1995) Guijarro González, Juan Ignacio; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
Beowulf and the Comic Book: Contemporary Readings
(Universidad de La Laguna, 2007) Gómez Calderón, María José; Universidad de Sevilla. Departamento de Filología Inglesa (Literatura Inglesa y Norteamericana)
This paper explores the appropriation of the Old English poem Beowulf by such a distinctive 20th-century art-form as the comic book. Since 1941 to present day, the text has been revisited by several authors at different stages of the development of the comic as an independent genre in a process parallel to its legitimation as a central part of the English literary canon. In the context of the modern commodification of the Middle Ages, the Beowulfs in comic book become a territory of negotiation between high and low culture as they revisit early Germanic epic to render it suitable for the taste of wider, contemporary audiences

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